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Writers in Sussex: E.F. Benson, Rye and the World of Mapp and Lucia

  • Writer: Ellen Cheshire
    Ellen Cheshire
  • 20 minutes ago
  • 3 min read

E.F. Benson (1867-1940) made Sussex his home at a pivotal point in his life. In 1918, after years of travel, writing and public service, he settled in the ancient town of Rye, at Lamb House. He remained there until his death in 1940, and it was during these Sussex years that he produced some of his most enduring work. Rye offered Benson a place of continuity and containment, a town shaped by history and habit, where daily life unfolded on a human scale.

Born in 1867, Benson came from a distinguished family. His father, Edward White Benson, was Archbishop of Canterbury, and the household was one of intense intellectual and moral seriousness. Benson wrote prolifically from an early age, moving between genres with ease, but Sussex gave his writing a particular focus. Living in Rye allowed him to observe a close knit community at first hand, noting its rituals, rivalries and quiet dramas.


Lamb House, which became the model for Mallards, Mapp and Lucia's home.
Lamb House, which became the model for Mallards, Mapp and Lucia's home.

Rye became the model for Tilling, the fictional setting of the Mapp and Lucia novels. Benson drew closely on the town’s layout, its social rhythms and its personalities, transforming them into one of the great comic landscapes of English fiction. Musical evenings, garden parties and disputes over precedence take on enormous importance in a world where everyone knows everyone else. Benson’s satire is sharp but affectionate, rooted in a deep understanding of how people behave when tradition and reputation matter deeply.


McEwan and Scales
McEwan and Scales

The enduring popularity of these novels has led to two major screen adaptations. The first, produced by the BBC in the 1980s, brought Geraldine McEwan’s Mapp and Prunella Scales’ Lucia to a wide audience. A second adaptation followed in 2014, filmed in Rye and its surroundings, reaffirming the town’s inseparable link with Benson’s comic vision. In both versions, Sussex itself becomes part of the performance, its streets and views shaping the tone as much as the dialogue.


Mapp and Lucia (BBC, 2014)
Mapp and Lucia (BBC, 2014)

A Room in the Tower (BBC, 2025)
A Room in the Tower (BBC, 2025)

Alongside his social comedy, Benson continued to write ghost stories during his years in Sussex. While A Room in the Tower is not set in the county, its atmosphere of inevitability and quiet dread aligns closely with the qualities of place Benson found in Rye. The story’s recent adaptation as part of the BBC’s A Ghost Story for Christmas, broadcast in December 2025, has prompted renewed interest in Benson’s darker work and serves as a timely reminder of his range as a writer.

What unites Benson’s Sussex writing, whether comic or uncanny, is his fascination with enclosed worlds. Rye offered him a setting where history pressed close, where patterns repeated and where small actions carried lasting consequences. In the ghost stories, this becomes a source of unease. In Mapp and Lucia, it becomes comedy of the highest order.

Benson’s Sussex was neither idyllic nor bleak, but richly human. It was a place of memory, observation and performance, and it sustained a body of work that continues to resonate. Through Tilling, Rye entered the literary imagination, and through Benson, Sussex revealed itself as a landscape as suited to wit and satire as to shadow and suspense.

This entry continues the Writers in Sussex series, exploring how the county has shaped writing that ranges from gentle mockery to lingering unease, all grounded in a profound sense of place.

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Ellen Cheshire  - cheshellen @ gmail.com

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